Knife Rests

Here is a great collectible for the spatially challenged. Knife rests are small table accessories, usually sold in sets of six or eight, but usually come onto the secondary market individually and without the original packaging. So, those with room can collect sets, in the original box, and the rest of us can go the one-of-each route where each rest is different, and the whole collection can be held in a small-ish suitcase.

Knife rests are and were used where the table setting of flatware has only one knife for the entire meal. As food course follows course, the knife is placed on the rest when the previous plate is leaving the table and the next course is coming out of the kitchen. Say, between the roast beef and Yorkshire pudding main dish and the fruit and cheese dessert plate. Whether the meal is served on a bare table top, place mats or linen tablecloth, no householder wants the remains of any course on the table when the meal is complete. Hence, the knife rest.

Knife rests are made from any relatively impermeable material, from metals and wood to plastic, glass and china. In fact, this is one area where the plastic version is harder to find than those made of other materials. Older versions may be combined with a napkin ring or an open salt dip, but most are single function items. Many are long enough, or have two flat places, so the fork can be saved for the next course as well as the knife. Carving sets also frequently have knife rests, which can also have a place to rest the carving fork when not in use.

Chopstick rests are a version of the knife rest from a different eating utensil tradition, showing that the concern for reusing the eating utensils while not making a mess on the table is relatively universal. Chopstick rests have the same advantages as knife rests as a collectible, but the sets will come in odd numbers, usually five, as odd numbers are luckier in the East.

Some American makers have knife rests among their products, including fine silver and cut crystal ones. Older times produced rests from pot metal, pewter, china and porcelain, glass and easily worked materials. They are generally from two to four inches long, and rest securely on the table. No point in having a knife rest that wobbles and dumps the knife onto the tablecloth after all the effort of making and having a rest to prevent that very thing.

Many antique and collectibles books may have a section on knife rests, or list knife rests among other glass and porcelain table items, but for pictures of many knife rests, see Knife Rests by Virginia L. Neas, Glassy Mountain Press, Pickens, South Carolina, 1987.

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Mata Ortiz Pottery

Among the most recent developments in the ceramics world is the arrival of the Mata Ortiz on the world stage. Mata Ortiz is a town in the northern Chihuahua State of Mexico. From this town a whole new type of Southwestern pottery is emerging late in the 20th Century and on into the 21st Century. The style of the hand-built pottery results in thin-walled, robust pottery, and its fine decoration makes this pottery an exciting addition to the traditional forms we have seen for a hundred years or more.

The third generation of potters are coming into their own now. This style began in 1976 with the experiments of a man named Juan Quezada. It is most unusual in the ceramic world to be able to identify the beginning of any style, but in this case the Twentieth Century’s avocation of record keeping makes this easy, for once. This one man’s work with local clays, innovative methods of preparing and decorating the pottery has resulted in a whole village of potters turning out beautiful works. The resulting pottery has garnered the worlds attention from the beginning.

P7240268 © by Ant Ware

The Mata Ortiz pots are made from clays and using methods that leave the leather stage absolutely smooth, able to take the finest lines in their decoration. The fine lines are used to delineate areas for decoration in geometric-like shapes, but the style of the Mata Ortiz frequently does not extend the same decoration all over the larger pot. Considerable variation may be found on a single large pot, although smaller ones may have a uniform decoration.

Mr. Quezada and the potters who follow his lead have discovered the differences between aerobic and reducing firing techniques, and the results on the finish pot. The same form and decoration using red and black pigments on a creamy clay will have brighter or stronger colors if the firing allow oxygen into the process, but will be shiny and matte black if the pot is fired with a reducing method. Thus the Mata Ortiz pots found in either coloration.

Mata Ortiz pottery © by a rancid amoeba

Mata Ortiz pottery is recognized by the art and craft world as the fine work it is. Therefore there are substantial prices involved when the pots are large or when they are made by known potters even though the area’s works are relatively new. The small pots have reasonable prices, and pieces by young potters are less expensive. Look for one or two you like and watch the development of their work over time, or pick a motif you like and buy from many potters as this Southwest pottery continues to grow and evolve.

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