Paden City Glass was founded in 1915 in Paden City, West Virginia, a town near New Martinsville, where the New Martinsville Glass Company was in production in the early Twentieth Century. The first workers at the Paden City plant were enticed from the New Martinsville plant, so it is not surprising that the very earliest Paden City production is reminiscent of that the New Martinsville. During the leadership of founding father and son David and Samuel Fisher, the company prospered for many years, only closing in 1951, at a time when many American glass houses were closing.
Besides some new molds similar to the New Martinsville production, the new Paden City Company possessed some glass molds from the defunct Higbee Glass Company. The glass formula of the Paden City Glass Company is very clear, and their early forays into colored glass met with similar success in producing highly colored, bright glass. Although the company began its foray into colors with black (ebony) and white (opal) glass, soon the company added several several shades of green and blue to their production. Described by the present day glass collectors as depression glass, the Paden City colors included a strong yellow, amethyst, cobalt, two shades of pink and a fine ruby glass. Cheriglo, a true pink glass, has become synonymous with Paden City Glass Company.
Many lines of glass shapes were produced by Paden City, all of them known by the line number until named by later collectors. Some lines were robust enough to by used in commercial soda fountains and restaurants, and can be found in a myriad of different shapes and sizes for home or commercial use. Many of the Paden City glass forms were sent to decorators to be enhanced by those enterprises by hand painting or shallow cutting. Because of this trade, much of Paden City glass is not marked by the maker. It takes an educated eye to identify Paden City glass by the shape, color and brilliance of the glass itself.
Paden City is also known for its beautiful etched patterns, best demonstrated on plates and goblets. These etching patterns were modified to to fit any relatively flat, unmodeled surface of the glass pieces made at the West Virginia plant. The various etching patterns generally featuring birds or flowers, and have been given appropriate names. The more exotic patterns include Oriental scenes or dragons. Between the numbers of pieces in the many shapes and the possible etched patterns on those shapes, there are a multitude of beautiful pieces of Paden City glass available, and all from the 35 years of the company’s existence. If you own etched glass, you may already have some Paden City glass production in your collections.
Paden City glassware takes an educated eye to identify, but those selling antique or vintage glass should be able to show you some of this beautiful glassware on request. Ongoing research continues to quantify this glass, but no record of glass production has survived the company, so the numbers of pieces in any given pattern, etching or color are unknown other than a general “common”, “uncommon” and “rare” scale, and prices are set accordingly. Paden City also made glass from molds owned by other people on order, and the company’s molds moved to other glass companies when the company folded in 1951, so there is some additional confusion for glass collectors trying to identify Paden City glass.
Paden City glass is beautiful in its combinations of form, color and finish. Look for it at glass shows or antique stores near you or as your travel.
See Paden City glass.
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